Historical Fiction and Religious Controversy, In Victorian Reformations: Historical Fiction and Religious Controversy, , Miriam Elizabeth Burstein analyzes the ways in which Christian novelists across the denominational spectrum laid claim to popular genres-most importantly, the religious historical novel-to narrate the aftershocks of , the year of Catholic Emancipation.
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Both Protestant and Catholic popular novelists fought over the ramifications of nineteenth-century Catholic toleration for the legacy of the Reformation. But despite the vast textual range of this genre, it remains virtually unknown in literary studies. Victorian Reformations is the first book to analyze how "high" theological and historical debates over the Reformation's significance were popularized through the increasingly profitable venue of Victorian religious fiction.
Why Read Neo-Victorian Novels Instead of real Victorian Novels? | Rereading Jane Eyre
By putting religious apologists and controversialists at center stage, Burstein insists that such fiction-frequently dismissed as overly simplistic or didactic-is essential for our understanding of Victorian popular theology, history, and historical novels.
Burstein reads "lost" but once exceptionally popular religious novels-for example, by Elizabeth Rundle Charles, Lady Georgiana Fullerton, and Emily Sarah Holt-against the works of such now-canonical figures as Sir Walter Scott, Charles Dickens, and George Eliot, while also drawing on material from contemporary sermons, histories, and periodicals. Burstein demonstrates how these novels, which populari Linda Schlossberg Formal Investigations.
The reconsideration of well-known authors and works provide truly new analysis of the individual's relationship to the genre. John Miller Empire and the Animal Body. Depictions of violence against animals were integral to the ideology of adventure literature in the late nineteenth and early twentieth centuries. However, the evolutionary hierarchies on which such texts relied were complicated by developing environmental sensitivities and reimaginings of human selfhood in relation to animal others.
As these texts hankered after increasingly imperilled areas of wilderness, the border between human and animal appeared tense, ambivalent and problematic. Margaret Flower Victorian Jewellery. A comprehensive and informative look at Victorian jewellery, split into three eras - 'The Early Victorian, or Romantic Period ', 'The Mid-Victorian, or Grand Period ' and 'The Late Victorian, or Aesthetic Period ', each accompanied by extensive photographic illustrations. Would my novel pass the test?
Like Like. Perfect reasoning. You understand your audience well. Interesting points that explain for me why many modern readers prefer neo-Victorian literature.
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I have to say I prefer the original though. So do I! But I was trained at a young age. I also was introduced to it at a young age. I think it requires a level of literacy, as you say in your post, that not a lot of people have today.
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