More filters. Sort order. Apr 29, Max Berman rated it it was amazing Shelves: reviews. Great book for looking at the Coens and how to read films in general. While not sure if it's really written for layman, it probably would be a great place to take in a lot of film theory if you know the Coen's films.
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Ryan Carli rated it liked it Apr 03, Daniel Samet rated it it was amazing Apr 02, Gabe marked it as to-read Jan 27, There are no discussion topics on this book yet. About Allen Redmon. Allen Redmon. Trivia About Constructing the No trivia or quizzes yet. Welcome back. Just a moment while we sign you in to your Goodreads account.
Additional chapters look at their films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work.
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Toon meer Toon minder. Previous critics have portrayed the Coen Brothers as hipsters who make apocalyptic, misanthropic films about American culture made palatable by healthy doses of humor, a nostalgic period setting, and affectionate homages to genre films of the past-especially film noir, the western, and the musical. Redmon, however, demonstrates that, while the brothers may be snarky-and may employ postmodern storytelling techniques-their work is soulful and concerned with truth and ethics Redmon explains that the Coen Brothers' films demand that the audience participate actively in making meanings of the films.
The films help viewers become better readers of cinema and of life, and offer us all clues as to how to find truth and emotional authenticity in the grotesque carnival of broken dreams and solipsistic concerns of an America fractured by the culture wars. As Redmon observes, while the Coens enjoy laughing at human folly, they have an ethical worldview, celebrating virtue, condemning evil, and asking us to accept the mystery of the human comedy.
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Say whatever you want about the Coen Brothers: these men are not nihilists and their films have an ethos. Reviews Schrijf een review. This is bowling.
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The Coen brothers pay their tribute to Preston Sturges' classic Sullivan's Travels and Hollywood's golden age in this magical realism comedy set in Depression era America. A trio of escaped convicts George Clooney, Tim Blake Nelson, John Turturro embark on an Odyssey-like adventure as they pursue their freedom and a hidden cache of loot.
Along the way, they get drugged by three alluring sirens, meet a hearty one-eyed Bible salesman and gatecrash a Ku Klux Klan ritual in the woods. It is one of Coen brothers' most imaginative films. Adapted from Cormac McCarthy's novel of the same name, No Country for Old Men depicts the chain reaction of bloodshed and mayhem triggered by a drug deal gone bad as the man who stumbles upon the scene of the carnage walks away with a satchel containing a couple of million dollars.enter site
Inside Llewyn Davis: The Coens’ Melancholy and Luminous Ballad Logos Journal
Bardem's sociopath and Jones' sermons are particularly memorable. Perceiving himself to be an arbiter of fate, Chigurh is the stuff that nightmares are made of: A remorseless hit man who allows his potential victims a way out of their death sentence with the toss of a coin. As the film concludes, Sheriff Bell waxes philosophical about the moral decay of humanity in the final monologue. Having grown up in the Jewish enclaves of suburban Minneapolis, the Coen brothers deliver their most Jewish film brimming with Jewish angst in the oddly compelling A Serious Man.
The film depicts the travails of a physics professor named Larry Gopnik Michael Stuhlbarg and his crestfallen Midwestern Jewish family: his wife, Judith, his teenage son Danny, and daughter Sarah.
Constructing the Coens: From Blood Simple to Inside Llewyn Davis
Larry's life begins to unravel when his wife plans to leave him for the more wealthy, middle-aged Sy Ableman Fred Melamed and demands a gett Jewish divorce document. His kids too are ungrateful imps, and his forlorn, whiny brother Richard Kind camps on the living-room couch and refuses to look for work.
It is a criminally underrated absurdist comedy about middle-class Jewish life in American suburbia with the Coen brothers' own version of profound philosophical inquiry. Set in the Greenwich Village folk scene in the early 60s, Inside Llewyn Davis is a sombre and achingly beautiful film of a proud but down-on-his-luck musician Oscar Isaac trying to relaunch his career as a solo act after his musical partner's suicide.
Unfortunately, Davis is a bit of a self-pitying, egotistical asshole.
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